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LISTEN<\/strong><\/a><\/div>\n\n\n\n

The MasterClass Series #8<\/strong><\/h2>\n\n\n\n

Adding mystique to glamour – Sydney show window<\/strong><\/h3>\n\n\n\n

Equipment<\/strong><\/h4>\n\n\n\n

EOS 60D
EF 24-70mm f\/2.8L USM<\/p>\n\n\n\n

EXIF<\/strong> #1<\/h4>\n\n\n\n

Focal length: 25mm
Aperture: f\/5
Shutter speed: 1\/100
ISO: 100<\/p>\n\n\n\n

EXIF<\/strong> #2<\/h4>\n\n\n\n

Focal length: 27mm
Aperture: f\/4
Shutter speed: 1\/100
ISO: 100<\/p>\n\n\n\n

Editing<\/strong><\/h4>\n\n\n\n

Adobe Lightroom CC<\/p>\n\n\n\n

Last week, we discussed how to compose spiral staircases<\/a>. In this post, let\u2019s see how we may add mystique to glamour in fashion photography.<\/em><\/p>\n\n\n\n

The story<\/strong><\/h3>\n\n\n\n

Have a look at this image I shot in Sydney. Walking along in Elizabeth Street, one of the main shopping areas in Sydney\u2019s Central Business District, I spotted this eye-popping decoration in the show window of a designer store. The crisp paper arrows around the outfits forced the prospective buyers to drool over the sleek lines of smartly-crafted pr\u00eat-\u00e0-porters.<\/p>\n\n\n\n

Adding mystique to glamour challenge<\/strong><\/h3>\n\n\n\n

In Fashion Photography, mystique enhances the glamour. While props and sets can give a vanilla shot, the true embellishment comes from adding a dash of pizzazz by getting the viewer to do a double-take.<\/p>\n\n\n\n

\"Adding<\/a>
Adding mystique to glamour – Show window in Sydney – Shot 1<\/figcaption><\/figure>\n\n\n\n

The shots<\/strong><\/h3>\n\n\n\n

By itself, the garments draped around headless mannequins were a sight to behold. I snooped around for the possibility of a powerful frame. From an angle, a reflected building grid that occupied my blind spot filled the vacant areas of the frame. A stark layering was visible and was adding the much-needed added dimension to the frame. Shooting from the front is not always advisable. Finding a proper angle in such scenarios helps. <\/p>\n\n\n\n

\"Adding<\/a>
Adding mystique to glamour – Show window in Sydney – Shot 2<\/figcaption><\/figure>\n\n\n\n

I chose a vantage and shot a few frames that had a pronounced reflection of the buildings across the street. While the traffic was playing spoilsport, minor editing helped cut out the disturbance. I used the graduated filter and darkened the traffic clutter. The resultant shots had the drama associated with fashion photography.<\/p>\n\n\n\n

Let me know which of the two shots you prefer and why. It will add to my learning.<\/p>\n\n\n\n

To see another example of such layering, click HERE<\/a>. And when you step out to shoot, remember to look for the added dimension called mystique.<\/p>\n\n\n\n

Go get the lights!<\/p>\n\n\n\n

Next week, another post, another pro tip!<\/strong><\/h4>\n\n\n\n

If busy, pin it for later.<\/strong><\/h4>\n\n\n\n