The MasterClass Series #14<\/strong><\/h2>\n\n\n\nBlack & White vs. Colour – How to Choose<\/strong><\/h3>\n\n\n\nEquipment<\/strong><\/h4>\n\n\n\nLeica V-Lux Typ 114 (Kumbh BW, Kumbh Aerial, and Mamleshwar shot),
EOS 400D (Old Man, Jaisalmer),
EOS 5D Mark III (Auschwitz), EOS 60D (Ladakh).
EF 17-40mm f\/4 L USM (Auschwitz),
EF 24-70mm f\/2.8 L USM (Old Man Jaisalmer),
EF-S 10-22mm f\/3.5\/4.5 USM (Ladakh).<\/p>\n\n\n\n
EXIF #1a & #1c<\/strong><\/h4>\n\n\n\nMamleshwar Shot (EXIF equivalent to 35mm full-frame)
Focal length: 25mm
Aperture: f\/7.5
Shutter speed: 1\/125
ISO: 125<\/p>\n\n\n\n
EXIF #1b<\/strong><\/h4>\n\n\n\nKumbh BW Shot (EXIF equivalent to 35mm full-frame)
Focal length: 59mm
Aperture: f\/10
Shutter speed: 1\/500
ISO: 200<\/p>\n\n\n\n
EXIF #2a & #2b<\/strong><\/h4>\n\n\n\nOld Man Jaisalmer Shot
Focal length: 55mm
Aperture: f\/3.5
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #3a & 3b<\/strong><\/h4>\n\n\n\nAuschwitz Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #4a<\/strong><\/h4>\n\n\n\nKumbh Aerial Shot (EXIF equivalent to 35mm full-frame)
Focal length: 120mm
Aperture: f\/13
Shutter speed: 1\/2000
ISO: 200<\/p>\n\n\n\n
EXIF #4b<\/strong><\/h4>\n\n\n\nLadakh Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Editing<\/strong><\/h4>\n\n\n\nAdobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\nThe Story<\/strong><\/h3>\n\n\n\nAcross the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n
Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\nWe like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\nWhile there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n![\"High-contrast](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Kumbh-BW-1-1024x683.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot #1b: High-contrast shot of Kumbh Mahasnan at Prayagraj<\/figcaption><\/figure>\n\n\n\n![\"Shot](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Mamleshwar-BW-1-683x1024.jpg?resize=683%2C1024&ssl=1\")
<\/a>#1a: Shot of stone carvings from Mamleshwar at Omkareshwar is dominated by mid-tone greys<\/figcaption><\/figure>\n\n\n\n![\"That](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Mamleshwar-1-683x1024.jpg?resize=683%2C1024&ssl=1\")
<\/a>Shot #1c: That low-contrast shot of stone carvings from Mamleshwar at Omkareshwar is not a bad shot in colour<\/figcaption><\/figure>\n\n\n\n- The foremost consideration is the shot must be a high-contrast one. Low contrast means fewer blacks and whites, and more mid-tones (shades of grey). The greys don\u2019t make for a striking shot. In shots #1a and #1b, which one has a higher contrast? In colour, shot #1a is not so bad (see shot #1c).<\/li><\/ul>\n\n\n\n
![\"Photographing](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Old-Man-Jaisalmer-1-1024x683.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot #2a: Photographing the clothes – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\n![\"Photographing](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Old-Man-Jaisalmer-BW-1-1024x683.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot #2b: Photographing the soul – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\nKey Consideration<\/strong><\/h3>\n\n\n\n- The father of Canadian photojournalism, Ted Grant, once said, \u201cWhen you photograph people in colour, you photograph their clothes. But when you photograph people in Black & White, you photograph their souls!\u201d Shots #2a and #2b exemplify the essence of his statement. In shot #2a, the colourful turban and the colours of the diffused city background take you away from the utter hopelessness in the old man\u2019s eyes. Not so in the Black & White (shot #2b).<\/li><\/ul>\n\n\n\n
![\"In](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Auschwitz-1-1024x683.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot #3a: In colour, the mood of this ‘Gate of Death’ shot from Auschwitz is bright. That is not suited for this sombre memorial.<\/figcaption><\/figure>\n\n\n\n![\"B&W](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Auschwitz-BW-1-1024x682.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot 3b: B&W reflects the sombre mood of this location (Gate of Death, Auschwitz, Poland)<\/figcaption><\/figure>\n\n\n\n- Choose the feel you wish to evoke. Black & White is most effective in bringing out a sombre, pensive mood, while colours lend a bright mood to the image. Remember, this is a generalisation. It is not true all the time. So, use it as a touchstone. Shot #3a (coloured) could well have been a location for a cheery Julie Andrews to sing \u2018How do you solve a problem like Maria\u2019 (The Sound of Music), while the Black & White (shot #3b) brings out the stark, sordid character of Auschwitz stronger.<\/li><\/ul>\n\n\n\n
- If the colour is essential for the subject, don\u2019t convert it to Black & White (shots #4a and #4b). To see more shots that looks stunning in B&W, click HERE<\/a> and HERE<\/a>.<\/li><\/ul>\n\n\n\n
![\"Aerial](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Kumbh-Aerial-1-1024x683.jpg?resize=696%2C464&ssl=1\")
<\/a>Shot 4a: Aerial shot of Kumbh Mahasnan at Prayagraj. B&W will not do justice to this shot.<\/figcaption><\/figure>\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Ladakh-1-1024x683.jpg?resize=696%2C464&ssl=1\")
Shot 4b: You’d agree converting this prayer flags image from Ladakh to B&W will be ridiculous<\/figcaption><\/figure>\n\n\n\nThese <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\nTry them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n![\"We](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Ladakh-PIN-BWCol-681x1024.png?resize=681%2C1024&ssl=1\")
<\/figure><\/li>![\"We](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Old-Man-Jaisalmer-BWColour-PIN-1-681x1024.png?resize=681%2C1024&ssl=1\")
<\/figure><\/li>![\"We](\"https:\/\/i0.wp.com\/www.travelure.in\/wp-content\/uploads\/2020\/01\/Auschwitz-PIN-BWCol-681x1024.png?resize=681%2C1024&ssl=1\")
<\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\n
Equipment<\/strong><\/h4>\n\n\n\nLeica V-Lux Typ 114 (Kumbh BW, Kumbh Aerial, and Mamleshwar shot),
EOS 400D (Old Man, Jaisalmer),
EOS 5D Mark III (Auschwitz), EOS 60D (Ladakh).
EF 17-40mm f\/4 L USM (Auschwitz),
EF 24-70mm f\/2.8 L USM (Old Man Jaisalmer),
EF-S 10-22mm f\/3.5\/4.5 USM (Ladakh).<\/p>\n\n\n\n
EXIF #1a & #1c<\/strong><\/h4>\n\n\n\nMamleshwar Shot (EXIF equivalent to 35mm full-frame)
Focal length: 25mm
Aperture: f\/7.5
Shutter speed: 1\/125
ISO: 125<\/p>\n\n\n\n
EXIF #1b<\/strong><\/h4>\n\n\n\nKumbh BW Shot (EXIF equivalent to 35mm full-frame)
Focal length: 59mm
Aperture: f\/10
Shutter speed: 1\/500
ISO: 200<\/p>\n\n\n\n
EXIF #2a & #2b<\/strong><\/h4>\n\n\n\nOld Man Jaisalmer Shot
Focal length: 55mm
Aperture: f\/3.5
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #3a & 3b<\/strong><\/h4>\n\n\n\nAuschwitz Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #4a<\/strong><\/h4>\n\n\n\nKumbh Aerial Shot (EXIF equivalent to 35mm full-frame)
Focal length: 120mm
Aperture: f\/13
Shutter speed: 1\/2000
ISO: 200<\/p>\n\n\n\n
EXIF #4b<\/strong><\/h4>\n\n\n\nLadakh Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Editing<\/strong><\/h4>\n\n\n\nAdobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\nThe Story<\/strong><\/h3>\n\n\n\nAcross the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n
Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\nWe like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\nWhile there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n<\/a>Shot #1b: High-contrast shot of Kumbh Mahasnan at Prayagraj<\/figcaption><\/figure>\n\n\n\n<\/a>#1a: Shot of stone carvings from Mamleshwar at Omkareshwar is dominated by mid-tone greys<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #1c: That low-contrast shot of stone carvings from Mamleshwar at Omkareshwar is not a bad shot in colour<\/figcaption><\/figure>\n\n\n\n- The foremost consideration is the shot must be a high-contrast one. Low contrast means fewer blacks and whites, and more mid-tones (shades of grey). The greys don\u2019t make for a striking shot. In shots #1a and #1b, which one has a higher contrast? In colour, shot #1a is not so bad (see shot #1c).<\/li><\/ul>\n\n\n\n
<\/a>Shot #2a: Photographing the clothes – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #2b: Photographing the soul – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\nKey Consideration<\/strong><\/h3>\n\n\n\n- The father of Canadian photojournalism, Ted Grant, once said, \u201cWhen you photograph people in colour, you photograph their clothes. But when you photograph people in Black & White, you photograph their souls!\u201d Shots #2a and #2b exemplify the essence of his statement. In shot #2a, the colourful turban and the colours of the diffused city background take you away from the utter hopelessness in the old man\u2019s eyes. Not so in the Black & White (shot #2b).<\/li><\/ul>\n\n\n\n
<\/a>Shot #3a: In colour, the mood of this ‘Gate of Death’ shot from Auschwitz is bright. That is not suited for this sombre memorial.<\/figcaption><\/figure>\n\n\n\n<\/a>Shot 3b: B&W reflects the sombre mood of this location (Gate of Death, Auschwitz, Poland)<\/figcaption><\/figure>\n\n\n\n- Choose the feel you wish to evoke. Black & White is most effective in bringing out a sombre, pensive mood, while colours lend a bright mood to the image. Remember, this is a generalisation. It is not true all the time. So, use it as a touchstone. Shot #3a (coloured) could well have been a location for a cheery Julie Andrews to sing \u2018How do you solve a problem like Maria\u2019 (The Sound of Music), while the Black & White (shot #3b) brings out the stark, sordid character of Auschwitz stronger.<\/li><\/ul>\n\n\n\n
- If the colour is essential for the subject, don\u2019t convert it to Black & White (shots #4a and #4b). To see more shots that looks stunning in B&W, click HERE<\/a> and HERE<\/a>.<\/li><\/ul>\n\n\n\n
<\/a>Shot 4a: Aerial shot of Kumbh Mahasnan at Prayagraj. B&W will not do justice to this shot.<\/figcaption><\/figure>\n\n\n\nShot 4b: You’d agree converting this prayer flags image from Ladakh to B&W will be ridiculous<\/figcaption><\/figure>\n\n\n\nThese <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\nTry them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n<\/figure><\/li><\/figure><\/li><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\n
EOS 400D (Old Man, Jaisalmer),
EOS 5D Mark III (Auschwitz), EOS 60D (Ladakh).
EF 17-40mm f\/4 L USM (Auschwitz),
EF 24-70mm f\/2.8 L USM (Old Man Jaisalmer),
EF-S 10-22mm f\/3.5\/4.5 USM (Ladakh).<\/p>\n\n\n\n
Mamleshwar Shot (EXIF equivalent to 35mm full-frame)
Focal length: 25mm
Aperture: f\/7.5
Shutter speed: 1\/125
ISO: 125<\/p>\n\n\n\n
EXIF #1b<\/strong><\/h4>\n\n\n\nKumbh BW Shot (EXIF equivalent to 35mm full-frame)
Focal length: 59mm
Aperture: f\/10
Shutter speed: 1\/500
ISO: 200<\/p>\n\n\n\n
EXIF #2a & #2b<\/strong><\/h4>\n\n\n\nOld Man Jaisalmer Shot
Focal length: 55mm
Aperture: f\/3.5
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #3a & 3b<\/strong><\/h4>\n\n\n\nAuschwitz Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #4a<\/strong><\/h4>\n\n\n\nKumbh Aerial Shot (EXIF equivalent to 35mm full-frame)
Focal length: 120mm
Aperture: f\/13
Shutter speed: 1\/2000
ISO: 200<\/p>\n\n\n\n
EXIF #4b<\/strong><\/h4>\n\n\n\nLadakh Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Editing<\/strong><\/h4>\n\n\n\nAdobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\nThe Story<\/strong><\/h3>\n\n\n\nAcross the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n
Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\nWe like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\nWhile there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n<\/a>Shot #1b: High-contrast shot of Kumbh Mahasnan at Prayagraj<\/figcaption><\/figure>\n\n\n\n<\/a>#1a: Shot of stone carvings from Mamleshwar at Omkareshwar is dominated by mid-tone greys<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #1c: That low-contrast shot of stone carvings from Mamleshwar at Omkareshwar is not a bad shot in colour<\/figcaption><\/figure>\n\n\n\n- The foremost consideration is the shot must be a high-contrast one. Low contrast means fewer blacks and whites, and more mid-tones (shades of grey). The greys don\u2019t make for a striking shot. In shots #1a and #1b, which one has a higher contrast? In colour, shot #1a is not so bad (see shot #1c).<\/li><\/ul>\n\n\n\n
<\/a>Shot #2a: Photographing the clothes – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #2b: Photographing the soul – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\nKey Consideration<\/strong><\/h3>\n\n\n\n- The father of Canadian photojournalism, Ted Grant, once said, \u201cWhen you photograph people in colour, you photograph their clothes. But when you photograph people in Black & White, you photograph their souls!\u201d Shots #2a and #2b exemplify the essence of his statement. In shot #2a, the colourful turban and the colours of the diffused city background take you away from the utter hopelessness in the old man\u2019s eyes. Not so in the Black & White (shot #2b).<\/li><\/ul>\n\n\n\n
<\/a>Shot #3a: In colour, the mood of this ‘Gate of Death’ shot from Auschwitz is bright. That is not suited for this sombre memorial.<\/figcaption><\/figure>\n\n\n\n<\/a>Shot 3b: B&W reflects the sombre mood of this location (Gate of Death, Auschwitz, Poland)<\/figcaption><\/figure>\n\n\n\n- Choose the feel you wish to evoke. Black & White is most effective in bringing out a sombre, pensive mood, while colours lend a bright mood to the image. Remember, this is a generalisation. It is not true all the time. So, use it as a touchstone. Shot #3a (coloured) could well have been a location for a cheery Julie Andrews to sing \u2018How do you solve a problem like Maria\u2019 (The Sound of Music), while the Black & White (shot #3b) brings out the stark, sordid character of Auschwitz stronger.<\/li><\/ul>\n\n\n\n
- If the colour is essential for the subject, don\u2019t convert it to Black & White (shots #4a and #4b). To see more shots that looks stunning in B&W, click HERE<\/a> and HERE<\/a>.<\/li><\/ul>\n\n\n\n
<\/a>Shot 4a: Aerial shot of Kumbh Mahasnan at Prayagraj. B&W will not do justice to this shot.<\/figcaption><\/figure>\n\n\n\nShot 4b: You’d agree converting this prayer flags image from Ladakh to B&W will be ridiculous<\/figcaption><\/figure>\n\n\n\nThese <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\nTry them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n<\/figure><\/li><\/figure><\/li><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\n
Focal length: 59mm
Aperture: f\/10
Shutter speed: 1\/500
ISO: 200<\/p>\n\n\n\n
Old Man Jaisalmer Shot
Focal length: 55mm
Aperture: f\/3.5
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #3a & 3b<\/strong><\/h4>\n\n\n\nAuschwitz Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
EXIF #4a<\/strong><\/h4>\n\n\n\nKumbh Aerial Shot (EXIF equivalent to 35mm full-frame)
Focal length: 120mm
Aperture: f\/13
Shutter speed: 1\/2000
ISO: 200<\/p>\n\n\n\n
EXIF #4b<\/strong><\/h4>\n\n\n\nLadakh Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Editing<\/strong><\/h4>\n\n\n\nAdobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\nThe Story<\/strong><\/h3>\n\n\n\nAcross the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n
Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\nWe like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\nWhile there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n<\/a>Shot #1b: High-contrast shot of Kumbh Mahasnan at Prayagraj<\/figcaption><\/figure>\n\n\n\n<\/a>#1a: Shot of stone carvings from Mamleshwar at Omkareshwar is dominated by mid-tone greys<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #1c: That low-contrast shot of stone carvings from Mamleshwar at Omkareshwar is not a bad shot in colour<\/figcaption><\/figure>\n\n\n\n- The foremost consideration is the shot must be a high-contrast one. Low contrast means fewer blacks and whites, and more mid-tones (shades of grey). The greys don\u2019t make for a striking shot. In shots #1a and #1b, which one has a higher contrast? In colour, shot #1a is not so bad (see shot #1c).<\/li><\/ul>\n\n\n\n
<\/a>Shot #2a: Photographing the clothes – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #2b: Photographing the soul – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\nKey Consideration<\/strong><\/h3>\n\n\n\n- The father of Canadian photojournalism, Ted Grant, once said, \u201cWhen you photograph people in colour, you photograph their clothes. But when you photograph people in Black & White, you photograph their souls!\u201d Shots #2a and #2b exemplify the essence of his statement. In shot #2a, the colourful turban and the colours of the diffused city background take you away from the utter hopelessness in the old man\u2019s eyes. Not so in the Black & White (shot #2b).<\/li><\/ul>\n\n\n\n
<\/a>Shot #3a: In colour, the mood of this ‘Gate of Death’ shot from Auschwitz is bright. That is not suited for this sombre memorial.<\/figcaption><\/figure>\n\n\n\n<\/a>Shot 3b: B&W reflects the sombre mood of this location (Gate of Death, Auschwitz, Poland)<\/figcaption><\/figure>\n\n\n\n- Choose the feel you wish to evoke. Black & White is most effective in bringing out a sombre, pensive mood, while colours lend a bright mood to the image. Remember, this is a generalisation. It is not true all the time. So, use it as a touchstone. Shot #3a (coloured) could well have been a location for a cheery Julie Andrews to sing \u2018How do you solve a problem like Maria\u2019 (The Sound of Music), while the Black & White (shot #3b) brings out the stark, sordid character of Auschwitz stronger.<\/li><\/ul>\n\n\n\n
- If the colour is essential for the subject, don\u2019t convert it to Black & White (shots #4a and #4b). To see more shots that looks stunning in B&W, click HERE<\/a> and HERE<\/a>.<\/li><\/ul>\n\n\n\n
<\/a>Shot 4a: Aerial shot of Kumbh Mahasnan at Prayagraj. B&W will not do justice to this shot.<\/figcaption><\/figure>\n\n\n\nShot 4b: You’d agree converting this prayer flags image from Ladakh to B&W will be ridiculous<\/figcaption><\/figure>\n\n\n\nThese <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\nTry them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n<\/figure><\/li><\/figure><\/li><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\n
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Kumbh Aerial Shot (EXIF equivalent to 35mm full-frame)
Focal length: 120mm
Aperture: f\/13
Shutter speed: 1\/2000
ISO: 200<\/p>\n\n\n\n
EXIF #4b<\/strong><\/h4>\n\n\n\nLadakh Shot
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Editing<\/strong><\/h4>\n\n\n\nAdobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\nThe Story<\/strong><\/h3>\n\n\n\nAcross the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n
Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\nWe like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\nWhile there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n<\/a>Shot #1b: High-contrast shot of Kumbh Mahasnan at Prayagraj<\/figcaption><\/figure>\n\n\n\n<\/a>#1a: Shot of stone carvings from Mamleshwar at Omkareshwar is dominated by mid-tone greys<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #1c: That low-contrast shot of stone carvings from Mamleshwar at Omkareshwar is not a bad shot in colour<\/figcaption><\/figure>\n\n\n\n- The foremost consideration is the shot must be a high-contrast one. Low contrast means fewer blacks and whites, and more mid-tones (shades of grey). The greys don\u2019t make for a striking shot. In shots #1a and #1b, which one has a higher contrast? In colour, shot #1a is not so bad (see shot #1c).<\/li><\/ul>\n\n\n\n
<\/a>Shot #2a: Photographing the clothes – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\n<\/a>Shot #2b: Photographing the soul – Old man at Jaisalmer<\/figcaption><\/figure>\n\n\n\nKey Consideration<\/strong><\/h3>\n\n\n\n- The father of Canadian photojournalism, Ted Grant, once said, \u201cWhen you photograph people in colour, you photograph their clothes. But when you photograph people in Black & White, you photograph their souls!\u201d Shots #2a and #2b exemplify the essence of his statement. In shot #2a, the colourful turban and the colours of the diffused city background take you away from the utter hopelessness in the old man\u2019s eyes. Not so in the Black & White (shot #2b).<\/li><\/ul>\n\n\n\n
<\/a>Shot #3a: In colour, the mood of this ‘Gate of Death’ shot from Auschwitz is bright. That is not suited for this sombre memorial.<\/figcaption><\/figure>\n\n\n\n<\/a>Shot 3b: B&W reflects the sombre mood of this location (Gate of Death, Auschwitz, Poland)<\/figcaption><\/figure>\n\n\n\n- Choose the feel you wish to evoke. Black & White is most effective in bringing out a sombre, pensive mood, while colours lend a bright mood to the image. Remember, this is a generalisation. It is not true all the time. So, use it as a touchstone. Shot #3a (coloured) could well have been a location for a cheery Julie Andrews to sing \u2018How do you solve a problem like Maria\u2019 (The Sound of Music), while the Black & White (shot #3b) brings out the stark, sordid character of Auschwitz stronger.<\/li><\/ul>\n\n\n\n
- If the colour is essential for the subject, don\u2019t convert it to Black & White (shots #4a and #4b). To see more shots that looks stunning in B&W, click HERE<\/a> and HERE<\/a>.<\/li><\/ul>\n\n\n\n
<\/a>Shot 4a: Aerial shot of Kumbh Mahasnan at Prayagraj. B&W will not do justice to this shot.<\/figcaption><\/figure>\n\n\n\nShot 4b: You’d agree converting this prayer flags image from Ladakh to B&W will be ridiculous<\/figcaption><\/figure>\n\n\n\nThese <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\nTry them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n<\/figure><\/li><\/figure><\/li><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\n
Focal length: 40mm
Aperture: f\/4
Shutter speed: 1\/1000
ISO: 100<\/p>\n\n\n\n
Adobe Lightroom Classic CC<\/p>\n\n\n\n
<\/em>Getting past the technique of shooting the colourful back-lit stained glass<\/a>, let\u2019s get to the crux of something that is a dilemma for many of us – Black & White vs. Colour – How to Choose.<\/em><\/p>\n\n\n\n Across the social media platforms and many famed photography portals, enthusiasts seem to get an impression Black & White photographs are synonymous with creativity. In fact, even photography awards seem partial to Black & White shots. <\/p>\n\n\n\n Even if we ignore the pundits and jurists, the retro and raw charm of Black & White shots coupled with the ebonies and ivories seems more powerful even to a non-discerning viewer. It brings out the character of a scene. Little wonder there is a temptation to convert our favoured shots into Black & White.<\/p>\n\n\n\n We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. <\/p>\n\n\n\n While there is no magic bullet to determine what will work better, the following guiding principles may help.<\/p>\n\n\n\n We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. – Black & White vs. Colour – How to Choose – Travelure \u00a9<\/p>\nThe Story<\/strong><\/h3>\n\n\n\n
The challenge of choosing between Black & White and Colour<\/strong><\/h3>\n\n\n\n
The Shots<\/strong><\/h3>\n\n\n\n
<\/a><\/a><\/a><\/a><\/a>Key Consideration<\/strong><\/h3>\n\n\n\n
<\/a><\/a><\/a>These <\/strong>principles<\/strong> will help you determine when it is judicious to convert your image into a Black & White. <\/strong><\/h4>\n\n\n\n
Try them now and pin it for a later day re-visit.<\/strong><\/h4>\n\n\n\n
<\/figure><\/li><\/figure><\/li><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"